Slate Digital Vtm Cracked

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Slate Digital sent their customers an e-mail with a status update on the development of the 64-bit AAX version of Virtual Tape Machine.

The goal was to have the upgrade available on the 20th of January but unfortunately Slate Digital didn’t make that deadline.

In a move to be fully transparent to their customers, Steven explains that all graphical elements of VTM and the functionality of the new 64-bit framework are finished. The last and perhaps most important thing they need to finish is the migration of the extremely complex algorithm.

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There’s good news as well. Slate is not just doing a 1:1 conversion. Their goal is to improve the efficiency of the algorithm so that it has a much lower hit on your CPU. This optimisation is going well but they do not want to compromise sonics for CPU. That means a lot of extensive code testing which takes an enormous amount of time.

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They now estimate to need another three weeks of testing to ensure that the VTM AAX and 64bit version is ‘rock solid‘. When that moment is there, Slate Digital will release a public beta for all to use.

No news has been given on VCC and FG-X. The last announcement was that VCC (Virtual Console Collection) will probably be released somewhere mid-February.

The FG-X Virtual Mastering Processor is their most complex plugin to port. This needs a total rewrite. Release date is estimated at early March.

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To be honest, I don’t mind having to wait a bit longer. It’s always better to have some patience and work with steady software instead of having to work with an early release that is full of bugs. Thanks to Steven and his team for their hard work and the transparency of letting us in on the situation. I can’t wait to get my hands on the new and optimised version of VTM.

Slate Digital Vtm Cracked Screen

Slate Digital Virtual Tape Machines v1.1.11.1 WIN
Size 102 Mb

Digital recording is now the standard for professional music production, but many engineers and musicians still long for the days of analog recording.

And they do for good reason – Analog Tape Machines have a SOUND.


Big, fat, warm, deep, rich and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. To those that know, tape is simply more musical. So we modeled two of the most famous tape machines in audio and provide them both along with options like bias, tape speed, tape type, and more in Virtual Tape Machines.

VTM has been praised by pro engineers for its extreme authenticity, because every aspect of tape is carefully reproduced. This authenticity is due to years of intense study from Slate Digital CTO Fabrice Gabriel. Using VTM on your tracks and mixes will make your mixes warmer, smoother, punchier, and more analog!

VTM emulates both a 16-track 2-inch tape machine and a 1/2 inch stereo mastering deck. Not only that, you can also choose between the two most popular tape formulations. Different formulations have different properties and headroom, and ultimately will give you different sonic results.

VTM accurately emulates the behavior of both of the most common tape speeds of 15 and 30 ips. Engineers who use tape sometimes choose which speed to use based upon the material they’re recording, since the bass response can differ a great deal between the two speeds. You can further refine the bass response using the bass alignment slider in the Settings module.


– Two tape machine types:
– 2″ 16 track
– 1/2″ mastering deck
– Two tape formulations
– Two speeds: 15 ips and 30 ips
– Noise reduction control and auto mute
– Wow & Flutter control
– Bass alignment control
– Normal, Low & High Bias settings
– Level Calibration
– VU ballistics
– Grouping control
– Settings global or per channel
– Tape reels start and stop in sync with DAW transport

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